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Author Topic: Truth in Fiction

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Re: Truth in Fiction
#15: May 14, 2020, 09:41:58 PM
If you ever get around to writing your book I'd love to read it.

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I've wanted to share this story for a while. My "awakening" began by channeling an elaborate plot that's since led me to sites like this where I realize several components of my fantasy story exist in the real fantasy world we live in: children used for fuel, old gods/monsters returning, the Veil coming down, the existence of fairies, etc. It's the POV from which I channeled the story that's had me obsessed with investigating the occult races and what stake each has in the turning of the ages. Lol perhaps this story means nothing to anyone else, but it defined my experience long before I experienced, so I have a suspicion the end-game is similar to at least one side's hopes for the "new age."

Quote
A woman lives in a world where magick is disbelieved or veiled from society. A midget, human-like slave race powers the nation's factories, slums, etc., and most humans live among them just as persecuted. This woman discovers the midget-race is being trafficked into fuel centers where they are distilled into potions to feed the nation's elite. She discovers the elite employ magick to rule the world, specifically by their ancient knowledge of reality-bending "worldstones" whose power they hoard into a single capstone. The woman does the unthinkable, she joins forces with one of the slave-imps to sabotage the elite. Their pact fulfills an ancient, magical marriage, a ritual that propels them into an astral realm.

They glimpse the truth of what is going on in the physical: the vampiric elite are 1/3 of an ancient immortal race that was judged and split into 3 lesser races after a great cataclysm and flood. Those that covet the immortality taken from them, who hoard the worldstones' power and feed from their cousin-races; those who seem to dominate the world yet lack the usage of the worldstones, or magick, i.e. the mundane humans; and those who are genetically aligned with the worldstones until life in society dampens their connection to seeming nonexistence, the imp-fey-slave-race. The heroine realizes the greed of the vampiric race is responsible for creating the society/simulation that dismantles the other races' genetic connection to the planet, allowing the elite's unchallenged claim to the "infinity stones." With two members of the other races joining together in alchemical marriage, a kill-switch is activated and the Veil between worlds begins to dissolve; it had only ever existed to bide time and wait for a ritual fulfillment.

The hero and her imp-friend incite physical revolution through the astral realm by awakening the worldstones and flooding magick and magickal creatures back into the world. This allows the heroes, and many others in the physical world, to regain their own genetic memories: they are cognizant members of the ancient immortal race now awakening in the shells of their human/imp bodies. Not only that, the two heroes realize they were the religious leaders of that ancient civilization, directly responsible for the judgment that befell their race and planet. The Veil and its kill-switch were designed by themselves, before time, to catalyze the completion of the alchemical marriage that would unite the 3 fragmentary peoples back into 1. The human and imp hero-duo are reunited into one being in the astral, the first (returning) ancient immortal, or"Elenar."

By now the mortal revolutions mean nothing to them, their quest is to find the individuals from all 3 bastard races who are destined to synthesize back into the immortal Elenar, tasked with proper dispersal of the planet's energy through the worldstones. The more magick their return usurps from the lesser, reigning powers-that-be, the more magick that is redirected into the hands of the proles actively revolting against the "old world." The returning Elenar ancients not only war against the wannabe-immortals who have ignored the judgment to 'walk in mortals' shoes,' they also war against the human civilizations that refuse to accept the "fey" or magickal energies that redefine the next age as not "new" at all, but the return of a previous cycle ruled by the true stewards of nature, i.e. "magick."
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Re: Truth in Fiction
#16: May 14, 2020, 10:41:39 PM
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If you ever get around to writing your book I'd love to read it.

Thanks!! If my views of the publishing world weren't shattered to hell, I would've followed through lol.

It brings up a great point though, it wasn't the story itself that inspired me but the process of building its world. Worldbuilding doesn't just awaken the imagination, it pulls all sorts of synch's from the subconscious, arguably our collective subconscious.
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Re: Truth in Fiction
#17: May 17, 2020, 03:25:16 PM
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I've wanted to share this story for a while. My "awakening" began by channeling an elaborate plot that's since led me to sites like this where I realize several components of my fantasy story exist in the real fantasy world we live in: children used for fuel, old gods/monsters returning, the Veil coming down, the existence of fairies, etc. It's the POV from which I channeled the story that's had me obsessed with investigating the occult races and what stake each has in the turning of the ages. Lol perhaps this story means nothing to anyone else, but it defined my experience long before I experienced, so I have a suspicion the end-game is similar to at least one side's hopes for the "new age."

Quote
A woman lives in a world where magick is disbelieved or veiled from society. A midget, human-like slave race powers the nation's factories, slums, etc., and most humans live among them just as persecuted. This woman discovers the midget-race is being trafficked into fuel centers where they are distilled into potions to feed the nation's elite. She discovers the elite employ magick to rule the world, specifically by their ancient knowledge of reality-bending "worldstones" whose power they hoard into a single capstone. The woman does the unthinkable, she joins forces with one of the slave-imps to sabotage the elite. Their pact fulfills an ancient, magical marriage, a ritual that propels them into an astral realm.

They glimpse the truth of what is going on in the physical: the vampiric elite are 1/3 of an ancient immortal race that was judged and split into 3 lesser races after a great cataclysm and flood. Those that covet the immortality taken from them, who hoard the worldstones' power and feed from their cousin-races; those who seem to dominate the world yet lack the usage of the worldstones, or magick, i.e. the mundane humans; and those who are genetically aligned with the worldstones until life in society dampens their connection to seeming nonexistence, the imp-fey-slave-race. The heroine realizes the greed of the vampiric race is responsible for creating the society/simulation that dismantles the other races' genetic connection to the planet, allowing the elite's unchallenged claim to the "infinity stones." With two members of the other races joining together in alchemical marriage, a kill-switch is activated and the Veil between worlds begins to dissolve; it had only ever existed to bide time and wait for a ritual fulfillment.

The hero and her imp-friend incite physical revolution through the astral realm by awakening the worldstones and flooding magick and magickal creatures back into the world. This allows the heroes, and many others in the physical world, to regain their own genetic memories: they are cognizant members of the ancient immortal race now awakening in the shells of their human/imp bodies. Not only that, the two heroes realize they were the religious leaders of that ancient civilization, directly responsible for the judgment that befell their race and planet. The Veil and its kill-switch were designed by themselves, before time, to catalyze the completion of the alchemical marriage that would unite the 3 fragmentary peoples back into 1. The human and imp hero-duo are reunited into one being in the astral, the first (returning) ancient immortal, or"Elenar."

By now the mortal revolutions mean nothing to them, their quest is to find the individuals from all 3 bastard races who are destined to synthesize back into the immortal Elenar, tasked with proper dispersal of the planet's energy through the worldstones. The more magick their return usurps from the lesser, reigning powers-that-be, the more magick that is redirected into the hands of the proles actively revolting against the "old world." The returning Elenar ancients not only war against the wannabe-immortals who have ignored the judgment to 'walk in mortals' shoes,' they also war against the human civilizations that refuse to accept the "fey" or magickal energies that redefine the next age as not "new" at all, but the return of a previous cycle ruled by the true stewards of nature, i.e. "magick."


I too want to read your book
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Truth in Fiction
#18: May 31, 2020, 04:57:32 PM
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Re: Truth in Fiction
#19: June 02, 2020, 04:44:53 PM
Lol I once poured heart and soul roleplaying a character named Annie. The Orphan Annie musical is obviously about the red-robed divine youth, Christ or Horus. This number was changed for the film but the original recording has a telling intro.

"And all of a sudden, we have segwayed into the beanery. And the beanery isn't doing too well, it's the height of the Depression, not many people are in there. But the few people who do come into the beanery come in there for one specific reason: and that's because Annie is there. As they, 'the colors may be stale but when you got Annie, who cares?' And this is a song that the customers sing, now what you have to imagine is that Annie scurries through the entire number, changing the napkins and polishing the silverware, and pouring salt and pepper into the shakers."

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An originates in words for heaven or sky, like Anu or Anna-Nin. The feminine An+[n]a also gives us Ak Ana "the white mother" or the Irish Anu/Ana the mother of the fairies.

The lead singer of Arcade Fire is named "Will Pierce Butler." His song Anna features a music video starring Emma Stone, "Emily Jean Stone."  Emma Stone channels an entity awakening on board a cruise ship planette? It's a dramatic ritual set to lyrics welcoming Anna, Annie, Anu, An. The celestial sky deity? @ 2:20 are lizard flaps? @ 3:26 the moon+star motif.

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Re: Truth in Fiction
#20: June 02, 2020, 05:55:24 PM
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An originates in words for heaven or sky, like Anu or Anna-Nin. The feminine An+[n]a also gives us Ak Ana "the white mother" or the Irish Anu/Ana the mother of the fairies.

But was she black?

Annie (2014) - IMDb
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Re: Truth in Fiction
#21: June 02, 2020, 06:29:45 PM
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Remember among the "initiated" precision of language is of paramount importance.
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"I'm very particular with my words"

The Pagan Min Intro
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Re: Truth in Fiction
#22: June 02, 2020, 07:13:42 PM
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But was she black?

LOL purge it with fire, please. What's the point of Annie without the Satanic trinity???

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« Last Edit: June 02, 2020, 07:15:17 PM by zephyr »

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Re: Truth in Fiction
#23: June 03, 2020, 03:26:31 AM
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An originates in words for heaven or sky, like Anu or Anna-Nin. The feminine An+[n]a also gives us Ak Ana "the white mother" or the Irish Anu/Ana the mother of the fairies.

But was she black?

Annie (2014) - IMDb
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Not originally You are not allowed to view links. Register or Login
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Truth in Fiction
#24: June 04, 2020, 10:09:01 AM
youtube.com/watch?v=AiBCRQL58_k
Directed by Ridley Scott
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Re: Truth in Fiction
#25: June 04, 2020, 10:42:56 AM
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youtube.com/watch?v=AiBCRQL58_k
Directed by Ridley Scott

Children judging adults? Crowned and conquering much?
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Truth in Fiction
#26: June 04, 2020, 01:13:06 PM
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The thing I don't get about this, is most children are wholly incapable of forming an argument, even speaking eloquently, how will this work? Will they have some trained orator lead the movement, with most being unwitting pawns?
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Re: Truth in Fiction
#27: June 04, 2020, 04:00:26 PM
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The thing I don't get about this, is most children are wholly incapable of forming an argument, even speaking eloquently, how will this work? Will they have some trained orator lead the movement, with most being unwitting pawns?

Any public child leader will most likely be some kind of preselected, programmed, ritually abused to activate intelligence pawns to rally and inspire people. While the proles waste their child's potential with the fictitious notion of 'childhood' and their 'teenage years', TPTB are training their own straight out the womb for success.

Unless the proles start setting up their children for success, I don't see how they will have the brainpower or wit to question the actions of their foolish elders later when they get older. Thing is that shitty parent's tend to raise shitty children too. At least that's how it seems.
Some of you parent's out there can correct me on that if it's inaccurate in any way. That said, the newest generations already here and coming are extremely unequipped to do anything of importance as a whole.

Was there supposed to be a video in the tweet you linked?
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Re: Truth in Fiction
#28: June 04, 2020, 10:08:04 PM
Monk - associating a germaphobe with a peaceful and logicicsl/smart person with the name monk.

Globohomobubble people foreshadowing
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I do like the intro and the show is good too actually

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Re: Truth in Fiction
#29: June 11, 2020, 09:20:37 PM
How accurate is this? Was Tesla really part of a group of brilliant minds and a founder of one?

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